He draws in audiences and keeps them for ages with his brute emotion. Joe Budden remains an extremely easy artist to relate to. They prayed for my Downfall on deaf ears, I was praying to GodĪnd if it’s still a stranger, then I love who it pretends to be” “Mama I made it, if anyone knows my way was hard For this side of his music, standout songs including “Skeletons”, “Outro”, and “Castles” more than answer the call of the other side of his fan base. If every song on the album talks about money, cars and clothes, many fans will quickly bash and condemn Joe. On the other hand, his cult following will not buy the album if they decide he has figuratively “sold out”. These songs show that Joe can compete with the biggest figures in hip-hop today and hold his own. Songs like “She Don’t Put it Down”, and “NBA” serve as clear attempts to bring in the average rap listener with catchy appearances by big time artists consisting of Wiz Khalifa, French Montana and Lil Wayne. Giving the mainstream a chance again, while trying to appease his underground following, proves the biggest challenge for Mr. Based on data from “”, the authority in mixtape distribution, fans downloaded his last mixtape, “ A Loose Quarter”, over 270,000 times.Īfter years and years of small market music, Joe has given the mainstream a second chance with his new album, “No Love Lost”. Releasing constant mixtapes with content very different from his debut single, he garnered a cult following. After this single, he dropped his label and fell into the oblivion.
For those unfamiliar, Joe Budden exploded on the scene in 2003 with hit summer smash “ Pump It Up”. Album DescriptionIn the underground rap scene, Joe Budden always remained an enigma. See More Your browser does not support the audio element. The casual listener might think it drifts too much, but fans who wrap it up in the Slaughterhouse universe will find it's a somewhat jumbled effort with plenty of literate, thoughtful writing to explore. At 17 tracks, the last being a remix of "She Don't Put It Down" with Twista adding the fury, it's a long haul as well, even with all the pop touches and crossover appeal. So many highlights make the album trophy-case worthy, but the best party numbers sit right next to one another, and long stretches of emo and midtempo threaten to alienate newcomers. Things change when Juicy J and Lloyd Banks join in for the worthy beat-'em-up number "Last Day," while "She Don't Put It Down" ("Ass so mean, I'm always on its bad side") with Lil Wayne and Tank is great strip club stuff, matched in energy and swagger by the weed, money, Wiz Khalifa, and French Montana number "NBA" ("Never Broke Again").
The Roots come to mind on cuts like "You and I" or "Skeletons," with basses popping and drums beating in a way that’s all the way live, while late album highlight "My Time" is a cross between Coldplay and B.o.B.'s "Airplanes," and gives way to the title track/outro where guitars wail. No Love Lost is filled with long, personal stories of struggle and alienation, delivered over beats that are midtempo, R&B-flavored, and packed with organic elements.
Padded Room and Escape Route (both 2009 releases) are the other albums that comprise Budden's epic memoir on wax, and now that he's come to the enlightened and reflective point of the story, he's gone a bit Drake.
With his hard-hitting crew Slaughterhouse acting as an outlet for his inner thug, rapper Joe Budden uses this 2013 solo effort as an opportunity to get introspective, capping off a quadrilogy of concept albums that began with 2008's Halfway House.
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